Cheat Framework Keybinds GuidePower up your cheat config with shortcuts to load custom configs on demand, toggle features, and adapt your cheat loadout to changing game conditions!Also check our the cheat framework features guide, and useful console commands. Quick Navigation Cheat Framework Keybinds GuideWhat Is The Key.Binds OptionAvailable Console Commands For BindsWhat Can Keybinds Do?Editing […]
Saturday, July 31, 2021
Cheat Framework Keybinds
Cheat Framework Keybinds GuidePower up your cheat config with shortcuts to load custom configs on demand, toggle features, and adapt your cheat loadout to changing game conditions!Also check our the cheat framework features guide, and useful console commands. Quick Navigation Cheat Framework Keybinds GuideWhat Is The Key.Binds OptionAvailable Console Commands For BindsWhat Can Keybinds Do?Editing […]
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Saturday, July 24, 2021
New World Hacks
The Best New World Hacks ()Dominate in PVP, level up and grind faster with aimbot cheats, ESP and More. Ready to start dominating in New World? With the game not officially released yet, no cheats are presently available. But undoubtedly many cheat developers are checking out the game and seeing what types of cheats they […]
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Splitgate Hacks
The Best Splitgate Hacks ()Demolish your opponents with powerful aimbots, ESP cheats, wallhacks, radar and more.. Your Guide To Hacking SplitgateSplitgate is a multiplayer free-to-play FPS that was released in July 2021. The sci-fi shooter, which draws inspiration from popular titles like Halo, is available to play on PC, PlayStation 4, PlayStation 5, Xbox One, […]
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Splitgate Hacks
The Best Splitgate Hacks ()Demolish your opponents with powerful aimbots, ESP cheats, wallhacks, radar and more.. Your Guide To Hacking SplitgateSplitgate is a multiplayer free-to-play FPS that was released in July 2021. The sci-fi shooter, which draws inspiration from popular titles like Halo, is available to play on PC, PlayStation 4, PlayStation 5, Xbox One, […]
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Tuesday, July 20, 2021
Battlefield 2042 Cheats Available At Launch?
What Hacks Are Possible In BF2042? Like battlefield games that came before, the most likely features you’ll be using are Aimbots and ESP. An Aimbot is a type of cheat that automatically aims your player’s cursor at the enemy, meaning you can kill them at ease as long as they are in view. It gives […]
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Monday, July 19, 2021
What’s The Best Hog Hunting Cartridge?
Hog Hunting Tips: Best Ammunition to Use
Feral hogs can be dangerous, especially if injured, so you want to put them down fast; you need to use the correct bullet, something in the .300 or up range. Using one of these top three calibers, you will easily take down hogs of different shapes and sizes in the most humane way. It’s hog hunting season, so check these out.
.30-06 Springfield
Whether you’re an expert at shooting at a ‘Hogzilla’ or a beginner who wants to pick off the piglets for eating, this rifle caliber will gear up your performance in the field. Its high precision, deadly and powerful caliber makes it one of the most widely used by Whitetail deer hunters.
It’s no surprise that it takes down hogs of various sizes. This handgun caliber is sleek, easy to load, and highly commendable.
.308 Winchester
Don’t let anyone kid you – hog hunting is more precise and fun with this type of firearm caliber. If you forgot any hog hunting tips in the past, don’t let this be one of them. This high-performance handgun caliber is a must-have for all skill ranges of shooters. An example of .308 Winchester is the Smith and Wesson M&P 10. It’s perfect for hog hunting, and its slim and lightweight design still functions as though a full-sized gun is ‘trapped’ in it. So if you’re hog hunting without this rifle caliber, you’re missing out.
.270 Winchester
If you want a simple yet effective firearm caliber, then this is a great choice. It boasts astute precision and penetration to take down the biggest feral hogs swiftly. Placing your shots rightly, and this cartridge will drop a hog on the spot.
There’s no point in hog hunting without the right tools, especially when you can take them down fast and precisely with these hog hunting tips. You do not have to be an expert hog hunter to use rifles within these calibers.
Gum Log Plantation
Hunting hogs is our specialty. At Gum Log Plantation, our experts can give you the best hog hunting tips to have a successful hunt. We work with individuals and groups. So call 229-318-9015 and start planning your hunting trip today.
The post What’s The Best Hog Hunting Cartridge? first appeared on Gum Log Plantation.
|
What’s The Best Hog Hunting Cartridge?
Hog Hunting Tips: Best Ammunition to Use
Feral hogs can be dangerous, especially if injured, so you want to put them down fast; you need to use the correct bullet, something in the .300 or up range. Using one of these top three calibers, you will easily take down hogs of different shapes and sizes in the most humane way. It’s hog hunting season, so check these out.
.30-06 Springfield
Whether you’re an expert at shooting at a ‘Hogzilla’ or a beginner who wants to pick off the piglets for eating, this rifle caliber will gear up your performance in the field. Its high precision, deadly and powerful caliber makes it one of the most widely used by Whitetail deer hunters.
It’s no surprise that it takes down hogs of various sizes. This handgun caliber is sleek, easy to load, and highly commendable.
.308 Winchester
Don’t let anyone kid you – hog hunting is more precise and fun with this type of firearm caliber. If you forgot any hog hunting tips in the past, don’t let this be one of them. This high-performance handgun caliber is a must-have for all skill ranges of shooters. An example of .308 Winchester is the Smith and Wesson M&P 10. It’s perfect for hog hunting, and its slim and lightweight design still functions as though a full-sized gun is ‘trapped’ in it. So if you’re hog hunting without this rifle caliber, you’re missing out.
.270 Winchester
If you want a simple yet effective firearm caliber, then this is a great choice. It boasts astute precision and penetration to take down the biggest feral hogs swiftly. Placing your shots rightly, and this cartridge will drop a hog on the spot.
There’s no point in hog hunting without the right tools, especially when you can take them down fast and precisely with these hog hunting tips. You do not have to be an expert hog hunter to use rifles within these calibers.
Gum Log Plantation
Hunting hogs is our specialty. At Gum Log Plantation, our experts can give you the best hog hunting tips to have a successful hunt. We work with individuals and groups. So call 229-318-9015 and start planning your hunting trip today.
The post What’s The Best Hog Hunting Cartridge? first appeared on Gum Log Plantation.
|
What’s The Best Hog Hunting Cartridge?
Hog Hunting Tips: Best Ammunition to Use
Feral hogs can be dangerous, especially if injured, so you want to put them down fast; you need to use the correct bullet, something in the .300 or up range. Using one of these top three calibers, you will easily take down hogs of different shapes and sizes in the most humane way. It’s hog hunting season, so check these out.
.30-06 Springfield
Whether you’re an expert at shooting at a ‘Hogzilla’ or a beginner who wants to pick off the piglets for eating, this rifle caliber will gear up your performance in the field. Its high precision, deadly and powerful caliber makes it one of the most widely used by Whitetail deer hunters.
It’s no surprise that it takes down hogs of various sizes. This handgun caliber is sleek, easy to load, and highly commendable.
.308 Winchester
Don’t let anyone kid you – hog hunting is more precise and fun with this type of firearm caliber. If you forgot any hog hunting tips in the past, don’t let this be one of them. This high-performance handgun caliber is a must-have for all skill ranges of shooters. An example of .308 Winchester is the Smith and Wesson M&P 10. It’s perfect for hog hunting, and its slim and lightweight design still functions as though a full-sized gun is ‘trapped’ in it. So if you’re hog hunting without this rifle caliber, you’re missing out.
.270 Winchester
If you want a simple yet effective firearm caliber, then this is a great choice. It boasts astute precision and penetration to take down the biggest feral hogs swiftly. Placing your shots rightly, and this cartridge will drop a hog on the spot.
There’s no point in hog hunting without the right tools, especially when you can take them down fast and precisely with these hog hunting tips. You do not have to be an expert hog hunter to use rifles within these calibers.
Gum Log Plantation
Hunting hogs is our specialty. At Gum Log Plantation, our experts can give you the best hog hunting tips to have a successful hunt. We work with individuals and groups. So call 229-318-9015 and start planning your hunting trip today.
The post What’s The Best Hog Hunting Cartridge? first appeared on Gum Log Plantation.
|
What’s The Best Hog Hunting Cartridge?
Hog Hunting Tips: Best Ammunition to Use
Feral hogs can be dangerous, especially if injured, so you want to put them down fast; you need to use the correct bullet, something in the .300 or up range. Using one of these top three calibers, you will easily take down hogs of different shapes and sizes in the most humane way. It’s hog hunting season, so check these out.
.30-06 Springfield
Whether you’re an expert at shooting at a ‘Hogzilla’ or a beginner who wants to pick off the piglets for eating, this rifle caliber will gear up your performance in the field. Its high precision, deadly and powerful caliber makes it one of the most widely used by Whitetail deer hunters.
It’s no surprise that it takes down hogs of various sizes. This handgun caliber is sleek, easy to load, and highly commendable.
.308 Winchester
Don’t let anyone kid you – hog hunting is more precise and fun with this type of firearm caliber. If you forgot any hog hunting tips in the past, don’t let this be one of them. This high-performance handgun caliber is a must-have for all skill ranges of shooters. An example of .308 Winchester is the Smith and Wesson M&P 10. It’s perfect for hog hunting, and its slim and lightweight design still functions as though a full-sized gun is ‘trapped’ in it. So if you’re hog hunting without this rifle caliber, you’re missing out.
.270 Winchester
If you want a simple yet effective firearm caliber, then this is a great choice. It boasts astute precision and penetration to take down the biggest feral hogs swiftly. Placing your shots rightly, and this cartridge will drop a hog on the spot.
There’s no point in hog hunting without the right tools, especially when you can take them down fast and precisely with these hog hunting tips. You do not have to be an expert hog hunter to use rifles within these calibers.
Gum Log Plantation
Hunting hogs is our specialty. At Gum Log Plantation, our experts can give you the best hog hunting tips to have a successful hunt. We work with individuals and groups. So call 229-318-9015 and start planning your hunting trip today.
The post What’s The Best Hog Hunting Cartridge? first appeared on Gum Log Plantation.
|
Friday, July 16, 2021
Why PC Gamers Use Cheats
According to a survey, gamers who use cheats have more fun in the games they play. In this article, we’ll go into detail about why gamers cheat and what the consequences are for those who do. Why Do Gamers Use Cheats? Every once in a while you may find yourself asking this question. Sometimes it […]
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Why PC Gamers Use Cheats
According to a survey, gamers who use cheats have more fun in the games they play. In this article, we’ll go into detail about why gamers cheat and what the consequences are for those who do. Why Do Gamers Use Cheats? Every once in a while you may find yourself asking this question. Sometimes it […]
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Why PC Gamers Use Cheats
According to a survey, gamers who use cheats have more fun in the games they play. In this article, we’ll go into detail about why gamers cheat and what the consequences are for those who do. Why Do Gamers Use Cheats? Every once in a while you may find yourself asking this question. Sometimes it […]
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Sunday, July 11, 2021
Donors Raise Over $200,000 for Historic Black Church in Mississippi
Going insane was a luxury. It’s the going, that’s the treat. Going suggests travel, moving. There was no going. The madness was constant and still, sitting there, like a place on a map. The women in the beautifully brutal film 12 Years A Slave were mangled and maliciously intertwined.
It was where they lived, where they were from, born and bred into mundane inescapable crazy.
The twisted relationship dynamics between the two lead female characters Patsey and Mistress Epps in 12 Years A Slave are a horror. A painfully vivid illustration of the dank gnarly negotiations women had to make with each other to survive the demonic conditions of American slavery. The film fearlessly exposes a suppurating historic wound between Black and White women so wicked and utterly honest, it is both repulsive and liberating to witness.
We see the dark and sweet Patsey, doubly enslaved by virtue of her race and beauty, sway for a moment, let go like a girl, do a slow twirl. She is loose trying to lose herself, and she slips, for a moment, into a trance induced by the sound of her only friend Solomon’s sad singing violin. His is almost music. She is almost dancing. It is all almost a human moment.
All of a sudden she goes limp, drops, knocked back into the terror of her life, by a heavy crystal decanter hurled at her head by Mistress Epps.
All of a sudden, she is once again a battered pile of dirty black woman parts wrapped in rags down on the floor. Mistress Epps is hate, full, guided and preserved by it. Patsey, the object, the affliction. She is, in Mistress Epps molested mind, literally the mistress.
Her husband Edwin Epps is addicted to Patsey, a deadly habit he will not kick, not for his wife, not for her dignity nor her sanity. The Mistress publicly demands Edwin rid himself and her home of the disease that is Patsey. He not only refuses his wife, he comfortably humiliates her.
Claiming his desire for the puddle of nasty nigger wench at their feet. The Mistress is frozen, stunned powerless by her husbands white male supremacy while Patsey is dragged away into darkness.
Patsey and the Mistress Epps personify Black and White American women’s painful slave legacy. American slavery was an insidious economic institution devised to benefit a minority of white Christian men, predicated on systemically preventing others access or the ability to establish alliances. Society has discussed how slavery successfully branded Blacks as inferior and sub-human, yet have we ever fully faced the brain washing, torture and rape terrorism practices slavery inflicted on Black and White women?
Are white privileged women jealous because their husbands had sex and lusted after black women right in their faces?
Do they believe the enslaved black women, purposefully seduced their white men, did they think they wanted to be raped?
Are black women in the eyes of white women, the original whores, the quintessential sluts? A sickening set of propositions, but the institution of slavery was such a sick situation for women to be in.
An evil woman is easy to understand. Mistress Epps makes clear white women bound in slavery were far more complicated than pure evil. She is in a tumultuous rage.
A white woman’s rage: privileged with no position, positioned with no power, powerful with no promise of independence, fidelity or safety.
The white woman could not properly direct her rage at her husband, she could not rail against white male supremacy. She too was in hell and Black enslaved women where the only ones in the chambers bellow her. So she sent her rage down and with her hot hate burned what was left of the bitches.
And the black women scorched beyond human recognition were left in pieces scattered and buried somewhere beneath hell. The concept of hell, like slavery, was designed to control and terrorize for eternity. The relationship between the mistress and the slave woman was so poisoned from its inception it could never be healed.
Is this our original sin? Could this be at the root of why Black women were cut out of the American suffrage movement when it came time for voting rights for women? Why many white abolitionist women turned their backs on the violence against southern Blacks to secure their own right to vote?
Black and White American women were doomed from the start, viciously competitive, inhuman maddening
Women’s movements can’t move in America until we have courageous honest discourse about the sadistic historic foundation of the relationship. We were systematically cultured to distrust and envy each other. We were never meant to be sisters.
from My Blog https://ift.tt/3yJ1XFQ
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Plan Your Trip so You Can Celebrate Easter in This Historic Church
Going insane was a luxury. It’s the going, that’s the treat. Going suggests travel, moving. There was no going. The madness was constant and still, sitting there, like a place on a map. The women in the beautifully brutal film 12 Years A Slave were mangled and maliciously intertwined.
It was where they lived, where they were from, born and bred into mundane inescapable crazy.
The twisted relationship dynamics between the two lead female characters Patsey and Mistress Epps in 12 Years A Slave are a horror. A painfully vivid illustration of the dank gnarly negotiations women had to make with each other to survive the demonic conditions of American slavery. The film fearlessly exposes a suppurating historic wound between Black and White women so wicked and utterly honest, it is both repulsive and liberating to witness.
We see the dark and sweet Patsey, doubly enslaved by virtue of her race and beauty, sway for a moment, let go like a girl, do a slow twirl. She is loose trying to lose herself, and she slips, for a moment, into a trance induced by the sound of her only friend Solomon’s sad singing violin. His is almost music. She is almost dancing. It is all almost a human moment.
All of a sudden she goes limp, drops, knocked back into the terror of her life, by a heavy crystal decanter hurled at her head by Mistress Epps.
All of a sudden, she is once again a battered pile of dirty black woman parts wrapped in rags down on the floor. Mistress Epps is hate, full, guided and preserved by it. Patsey, the object, the affliction. She is, in Mistress Epps molested mind, literally the mistress.
Her husband Edwin Epps is addicted to Patsey, a deadly habit he will not kick, not for his wife, not for her dignity nor her sanity. The Mistress publicly demands Edwin rid himself and her home of the disease that is Patsey. He not only refuses his wife, he comfortably humiliates her.
Claiming his desire for the puddle of nasty nigger wench at their feet. The Mistress is frozen, stunned powerless by her husbands white male supremacy while Patsey is dragged away into darkness.
Patsey and the Mistress Epps personify Black and White American women’s painful slave legacy. American slavery was an insidious economic institution devised to benefit a minority of white Christian men, predicated on systemically preventing others access or the ability to establish alliances. Society has discussed how slavery successfully branded Blacks as inferior and sub-human, yet have we ever fully faced the brain washing, torture and rape terrorism practices slavery inflicted on Black and White women?
Are white privileged women jealous because their husbands had sex and lusted after black women right in their faces?
Do they believe the enslaved black women, purposefully seduced their white men, did they think they wanted to be raped?
Are black women in the eyes of white women, the original whores, the quintessential sluts? A sickening set of propositions, but the institution of slavery was such a sick situation for women to be in.
An evil woman is easy to understand. Mistress Epps makes clear white women bound in slavery were far more complicated than pure evil. She is in a tumultuous rage.
A white woman’s rage: privileged with no position, positioned with no power, powerful with no promise of independence, fidelity or safety.
The white woman could not properly direct her rage at her husband, she could not rail against white male supremacy. She too was in hell and Black enslaved women where the only ones in the chambers bellow her. So she sent her rage down and with her hot hate burned what was left of the bitches.
And the black women scorched beyond human recognition were left in pieces scattered and buried somewhere beneath hell. The concept of hell, like slavery, was designed to control and terrorize for eternity. The relationship between the mistress and the slave woman was so poisoned from its inception it could never be healed.
Is this our original sin? Could this be at the root of why Black women were cut out of the American suffrage movement when it came time for voting rights for women? Why many white abolitionist women turned their backs on the violence against southern Blacks to secure their own right to vote?
Black and White American women were doomed from the start, viciously competitive, inhuman maddening
Women’s movements can’t move in America until we have courageous honest discourse about the sadistic historic foundation of the relationship. We were systematically cultured to distrust and envy each other. We were never meant to be sisters.
from My Blog https://ift.tt/3htd7sy
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Muslim Organizations Plan to Rebuild Old and Torched Black Churches
Going insane was a luxury. It’s the going, that’s the treat. Going suggests travel, moving. There was no going. The madness was constant and still, sitting there, like a place on a map. The women in the beautifully brutal film 12 Years A Slave were mangled and maliciously intertwined.
It was where they lived, where they were from, born and bred into mundane inescapable crazy.
The twisted relationship dynamics between the two lead female characters Patsey and Mistress Epps in 12 Years A Slave are a horror. A painfully vivid illustration of the dank gnarly negotiations women had to make with each other to survive the demonic conditions of American slavery. The film fearlessly exposes a suppurating historic wound between Black and White women so wicked and utterly honest, it is both repulsive and liberating to witness.
We see the dark and sweet Patsey, doubly enslaved by virtue of her race and beauty, sway for a moment, let go like a girl, do a slow twirl. She is loose trying to lose herself, and she slips, for a moment, into a trance induced by the sound of her only friend Solomon’s sad singing violin. His is almost music. She is almost dancing. It is all almost a human moment.
All of a sudden she goes limp, drops, knocked back into the terror of her life, by a heavy crystal decanter hurled at her head by Mistress Epps.
All of a sudden, she is once again a battered pile of dirty black woman parts wrapped in rags down on the floor. Mistress Epps is hate, full, guided and preserved by it. Patsey, the object, the affliction. She is, in Mistress Epps molested mind, literally the mistress.
Her husband Edwin Epps is addicted to Patsey, a deadly habit he will not kick, not for his wife, not for her dignity nor her sanity. The Mistress publicly demands Edwin rid himself and her home of the disease that is Patsey. He not only refuses his wife, he comfortably humiliates her.
Claiming his desire for the puddle of nasty nigger wench at their feet. The Mistress is frozen, stunned powerless by her husbands white male supremacy while Patsey is dragged away into darkness.
Patsey and the Mistress Epps personify Black and White American women’s painful slave legacy. American slavery was an insidious economic institution devised to benefit a minority of white Christian men, predicated on systemically preventing others access or the ability to establish alliances. Society has discussed how slavery successfully branded Blacks as inferior and sub-human, yet have we ever fully faced the brain washing, torture and rape terrorism practices slavery inflicted on Black and White women?
Are white privileged women jealous because their husbands had sex and lusted after black women right in their faces?
Do they believe the enslaved black women, purposefully seduced their white men, did they think they wanted to be raped?
Are black women in the eyes of white women, the original whores, the quintessential sluts? A sickening set of propositions, but the institution of slavery was such a sick situation for women to be in.
An evil woman is easy to understand. Mistress Epps makes clear white women bound in slavery were far more complicated than pure evil. She is in a tumultuous rage.
A white woman’s rage: privileged with no position, positioned with no power, powerful with no promise of independence, fidelity or safety.
The white woman could not properly direct her rage at her husband, she could not rail against white male supremacy. She too was in hell and Black enslaved women where the only ones in the chambers bellow her. So she sent her rage down and with her hot hate burned what was left of the bitches.
And the black women scorched beyond human recognition were left in pieces scattered and buried somewhere beneath hell. The concept of hell, like slavery, was designed to control and terrorize for eternity. The relationship between the mistress and the slave woman was so poisoned from its inception it could never be healed.
Is this our original sin? Could this be at the root of why Black women were cut out of the American suffrage movement when it came time for voting rights for women? Why many white abolitionist women turned their backs on the violence against southern Blacks to secure their own right to vote?
Black and White American women were doomed from the start, viciously competitive, inhuman maddening
Women’s movements can’t move in America until we have courageous honest discourse about the sadistic historic foundation of the relationship. We were systematically cultured to distrust and envy each other. We were never meant to be sisters.
from My Blog https://ift.tt/3eoX4u3
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House Leaders Came up Short in their Effort to Kill Obamacare
Going insane was a luxury. It’s the going, that’s the treat. Going suggests travel, moving. There was no going. The madness was constant and still, sitting there, like a place on a map. The women in the beautifully brutal film 12 Years A Slave were mangled and maliciously intertwined.
It was where they lived, where they were from, born and bred into mundane inescapable crazy.
The twisted relationship dynamics between the two lead female characters Patsey and Mistress Epps in 12 Years A Slave are a horror. A painfully vivid illustration of the dank gnarly negotiations women had to make with each other to survive the demonic conditions of American slavery. The film fearlessly exposes a suppurating historic wound between Black and White women so wicked and utterly honest, it is both repulsive and liberating to witness.
We see the dark and sweet Patsey, doubly enslaved by virtue of her race and beauty, sway for a moment, let go like a girl, do a slow twirl. She is loose trying to lose herself, and she slips, for a moment, into a trance induced by the sound of her only friend Solomon’s sad singing violin. His is almost music. She is almost dancing. It is all almost a human moment.
All of a sudden she goes limp, drops, knocked back into the terror of her life, by a heavy crystal decanter hurled at her head by Mistress Epps.
All of a sudden, she is once again a battered pile of dirty black woman parts wrapped in rags down on the floor. Mistress Epps is hate, full, guided and preserved by it. Patsey, the object, the affliction. She is, in Mistress Epps molested mind, literally the mistress.
Her husband Edwin Epps is addicted to Patsey, a deadly habit he will not kick, not for his wife, not for her dignity nor her sanity. The Mistress publicly demands Edwin rid himself and her home of the disease that is Patsey. He not only refuses his wife, he comfortably humiliates her.
Claiming his desire for the puddle of nasty nigger wench at their feet. The Mistress is frozen, stunned powerless by her husbands white male supremacy while Patsey is dragged away into darkness.
Patsey and the Mistress Epps personify Black and White American women’s painful slave legacy. American slavery was an insidious economic institution devised to benefit a minority of white Christian men, predicated on systemically preventing others access or the ability to establish alliances. Society has discussed how slavery successfully branded Blacks as inferior and sub-human, yet have we ever fully faced the brain washing, torture and rape terrorism practices slavery inflicted on Black and White women?
Are white privileged women jealous because their husbands had sex and lusted after black women right in their faces?
Do they believe the enslaved black women, purposefully seduced their white men, did they think they wanted to be raped?
Are black women in the eyes of white women, the original whores, the quintessential sluts? A sickening set of propositions, but the institution of slavery was such a sick situation for women to be in.
An evil woman is easy to understand. Mistress Epps makes clear white women bound in slavery were far more complicated than pure evil. She is in a tumultuous rage.
A white woman’s rage: privileged with no position, positioned with no power, powerful with no promise of independence, fidelity or safety.
The white woman could not properly direct her rage at her husband, she could not rail against white male supremacy. She too was in hell and Black enslaved women where the only ones in the chambers bellow her. So she sent her rage down and with her hot hate burned what was left of the bitches.
And the black women scorched beyond human recognition were left in pieces scattered and buried somewhere beneath hell. The concept of hell, like slavery, was designed to control and terrorize for eternity. The relationship between the mistress and the slave woman was so poisoned from its inception it could never be healed.
Is this our original sin? Could this be at the root of why Black women were cut out of the American suffrage movement when it came time for voting rights for women? Why many white abolitionist women turned their backs on the violence against southern Blacks to secure their own right to vote?
Black and White American women were doomed from the start, viciously competitive, inhuman maddening
Women’s movements can’t move in America until we have courageous honest discourse about the sadistic historic foundation of the relationship. We were systematically cultured to distrust and envy each other. We were never meant to be sisters.
from My Blog https://ift.tt/3e8QYxI
|
Ladies Combat Health Issues in Black Community with Screenings
Going insane was a luxury. It’s the going, that’s the treat. Going suggests travel, moving. There was no going. The madness was constant and still, sitting there, like a place on a map. The women in the beautifully brutal film 12 Years A Slave were mangled and maliciously intertwined.
It was where they lived, where they were from, born and bred into mundane inescapable crazy.
The twisted relationship dynamics between the two lead female characters Patsey and Mistress Epps in 12 Years A Slave are a horror. A painfully vivid illustration of the dank gnarly negotiations women had to make with each other to survive the demonic conditions of American slavery. The film fearlessly exposes a suppurating historic wound between Black and White women so wicked and utterly honest, it is both repulsive and liberating to witness.
We see the dark and sweet Patsey, doubly enslaved by virtue of her race and beauty, sway for a moment, let go like a girl, do a slow twirl. She is loose trying to lose herself, and she slips, for a moment, into a trance induced by the sound of her only friend Solomon’s sad singing violin. His is almost music. She is almost dancing. It is all almost a human moment.
All of a sudden she goes limp, drops, knocked back into the terror of her life, by a heavy crystal decanter hurled at her head by Mistress Epps.
All of a sudden, she is once again a battered pile of dirty black woman parts wrapped in rags down on the floor. Mistress Epps is hate, full, guided and preserved by it. Patsey, the object, the affliction. She is, in Mistress Epps molested mind, literally the mistress.
Her husband Edwin Epps is addicted to Patsey, a deadly habit he will not kick, not for his wife, not for her dignity nor her sanity. The Mistress publicly demands Edwin rid himself and her home of the disease that is Patsey. He not only refuses his wife, he comfortably humiliates her.
Claiming his desire for the puddle of nasty nigger wench at their feet. The Mistress is frozen, stunned powerless by her husbands white male supremacy while Patsey is dragged away into darkness.
Patsey and the Mistress Epps personify Black and White American women’s painful slave legacy. American slavery was an insidious economic institution devised to benefit a minority of white Christian men, predicated on systemically preventing others access or the ability to establish alliances. Society has discussed how slavery successfully branded Blacks as inferior and sub-human, yet have we ever fully faced the brain washing, torture and rape terrorism practices slavery inflicted on Black and White women?
Are white privileged women jealous because their husbands had sex and lusted after black women right in their faces?
Do they believe the enslaved black women, purposefully seduced their white men, did they think they wanted to be raped?
Are black women in the eyes of white women, the original whores, the quintessential sluts? A sickening set of propositions, but the institution of slavery was such a sick situation for women to be in.
An evil woman is easy to understand. Mistress Epps makes clear white women bound in slavery were far more complicated than pure evil. She is in a tumultuous rage.
A white woman’s rage: privileged with no position, positioned with no power, powerful with no promise of independence, fidelity or safety.
The white woman could not properly direct her rage at her husband, she could not rail against white male supremacy. She too was in hell and Black enslaved women where the only ones in the chambers bellow her. So she sent her rage down and with her hot hate burned what was left of the bitches.
And the black women scorched beyond human recognition were left in pieces scattered and buried somewhere beneath hell. The concept of hell, like slavery, was designed to control and terrorize for eternity. The relationship between the mistress and the slave woman was so poisoned from its inception it could never be healed.
Is this our original sin? Could this be at the root of why Black women were cut out of the American suffrage movement when it came time for voting rights for women? Why many white abolitionist women turned their backs on the violence against southern Blacks to secure their own right to vote?
Black and White American women were doomed from the start, viciously competitive, inhuman maddening
Women’s movements can’t move in America until we have courageous honest discourse about the sadistic historic foundation of the relationship. We were systematically cultured to distrust and envy each other. We were never meant to be sisters.
from My Blog https://ift.tt/2UIUmsk
|
Saving Hearts and Lives in the African-American Community
Going insane was a luxury. It’s the going, that’s the treat. Going suggests travel, moving. There was no going. The madness was constant and still, sitting there, like a place on a map. The women in the beautifully brutal film 12 Years A Slave were mangled and maliciously intertwined.
It was where they lived, where they were from, born and bred into mundane inescapable crazy.
The twisted relationship dynamics between the two lead female characters Patsey and Mistress Epps in 12 Years A Slave are a horror. A painfully vivid illustration of the dank gnarly negotiations women had to make with each other to survive the demonic conditions of American slavery. The film fearlessly exposes a suppurating historic wound between Black and White women so wicked and utterly honest, it is both repulsive and liberating to witness.
We see the dark and sweet Patsey, doubly enslaved by virtue of her race and beauty, sway for a moment, let go like a girl, do a slow twirl. She is loose trying to lose herself, and she slips, for a moment, into a trance induced by the sound of her only friend Solomon’s sad singing violin. His is almost music. She is almost dancing. It is all almost a human moment.
All of a sudden she goes limp, drops, knocked back into the terror of her life, by a heavy crystal decanter hurled at her head by Mistress Epps.
All of a sudden, she is once again a battered pile of dirty black woman parts wrapped in rags down on the floor. Mistress Epps is hate, full, guided and preserved by it. Patsey, the object, the affliction. She is, in Mistress Epps molested mind, literally the mistress.
Her husband Edwin Epps is addicted to Patsey, a deadly habit he will not kick, not for his wife, not for her dignity nor her sanity. The Mistress publicly demands Edwin rid himself and her home of the disease that is Patsey. He not only refuses his wife, he comfortably humiliates her.
Claiming his desire for the puddle of nasty nigger wench at their feet. The Mistress is frozen, stunned powerless by her husbands white male supremacy while Patsey is dragged away into darkness.
Patsey and the Mistress Epps personify Black and White American women’s painful slave legacy. American slavery was an insidious economic institution devised to benefit a minority of white Christian men, predicated on systemically preventing others access or the ability to establish alliances. Society has discussed how slavery successfully branded Blacks as inferior and sub-human, yet have we ever fully faced the brain washing, torture and rape terrorism practices slavery inflicted on Black and White women?
Are white privileged women jealous because their husbands had sex and lusted after black women right in their faces?
Do they believe the enslaved black women, purposefully seduced their white men, did they think they wanted to be raped?
Are black women in the eyes of white women, the original whores, the quintessential sluts? A sickening set of propositions, but the institution of slavery was such a sick situation for women to be in.
An evil woman is easy to understand. Mistress Epps makes clear white women bound in slavery were far more complicated than pure evil. She is in a tumultuous rage.
A white woman’s rage: privileged with no position, positioned with no power, powerful with no promise of independence, fidelity or safety.
The white woman could not properly direct her rage at her husband, she could not rail against white male supremacy. She too was in hell and Black enslaved women where the only ones in the chambers bellow her. So she sent her rage down and with her hot hate burned what was left of the bitches.
And the black women scorched beyond human recognition were left in pieces scattered and buried somewhere beneath hell. The concept of hell, like slavery, was designed to control and terrorize for eternity. The relationship between the mistress and the slave woman was so poisoned from its inception it could never be healed.
Is this our original sin? Could this be at the root of why Black women were cut out of the American suffrage movement when it came time for voting rights for women? Why many white abolitionist women turned their backs on the violence against southern Blacks to secure their own right to vote?
Black and White American women were doomed from the start, viciously competitive, inhuman maddening
Women’s movements can’t move in America until we have courageous honest discourse about the sadistic historic foundation of the relationship. We were systematically cultured to distrust and envy each other. We were never meant to be sisters.
from My Blog https://ift.tt/3e5Zspi
|
Uninsured Blacks Eligible for More Aid under Affordable Care Act
Going insane was a luxury. It’s the going, that’s the treat. Going suggests travel, moving. There was no going. The madness was constant and still, sitting there, like a place on a map. The women in the beautifully brutal film 12 Years A Slave were mangled and maliciously intertwined.
It was where they lived, where they were from, born and bred into mundane inescapable crazy.
The twisted relationship dynamics between the two lead female characters Patsey and Mistress Epps in 12 Years A Slave are a horror. A painfully vivid illustration of the dank gnarly negotiations women had to make with each other to survive the demonic conditions of American slavery. The film fearlessly exposes a suppurating historic wound between Black and White women so wicked and utterly honest, it is both repulsive and liberating to witness.
We see the dark and sweet Patsey, doubly enslaved by virtue of her race and beauty, sway for a moment, let go like a girl, do a slow twirl. She is loose trying to lose herself, and she slips, for a moment, into a trance induced by the sound of her only friend Solomon’s sad singing violin. His is almost music. She is almost dancing. It is all almost a human moment.
All of a sudden she goes limp, drops, knocked back into the terror of her life, by a heavy crystal decanter hurled at her head by Mistress Epps.
All of a sudden, she is once again a battered pile of dirty black woman parts wrapped in rags down on the floor. Mistress Epps is hate, full, guided and preserved by it. Patsey, the object, the affliction. She is, in Mistress Epps molested mind, literally the mistress.
Her husband Edwin Epps is addicted to Patsey, a deadly habit he will not kick, not for his wife, not for her dignity nor her sanity. The Mistress publicly demands Edwin rid himself and her home of the disease that is Patsey. He not only refuses his wife, he comfortably humiliates her.
Claiming his desire for the puddle of nasty nigger wench at their feet. The Mistress is frozen, stunned powerless by her husbands white male supremacy while Patsey is dragged away into darkness.
Patsey and the Mistress Epps personify Black and White American women’s painful slave legacy. American slavery was an insidious economic institution devised to benefit a minority of white Christian men, predicated on systemically preventing others access or the ability to establish alliances. Society has discussed how slavery successfully branded Blacks as inferior and sub-human, yet have we ever fully faced the brain washing, torture and rape terrorism practices slavery inflicted on Black and White women?
Are white privileged women jealous because their husbands had sex and lusted after black women right in their faces?
Do they believe the enslaved black women, purposefully seduced their white men, did they think they wanted to be raped?
Are black women in the eyes of white women, the original whores, the quintessential sluts? A sickening set of propositions, but the institution of slavery was such a sick situation for women to be in.
An evil woman is easy to understand. Mistress Epps makes clear white women bound in slavery were far more complicated than pure evil. She is in a tumultuous rage.
A white woman’s rage: privileged with no position, positioned with no power, powerful with no promise of independence, fidelity or safety.
The white woman could not properly direct her rage at her husband, she could not rail against white male supremacy. She too was in hell and Black enslaved women where the only ones in the chambers bellow her. So she sent her rage down and with her hot hate burned what was left of the bitches.
And the black women scorched beyond human recognition were left in pieces scattered and buried somewhere beneath hell. The concept of hell, like slavery, was designed to control and terrorize for eternity. The relationship between the mistress and the slave woman was so poisoned from its inception it could never be healed.
Is this our original sin? Could this be at the root of why Black women were cut out of the American suffrage movement when it came time for voting rights for women? Why many white abolitionist women turned their backs on the violence against southern Blacks to secure their own right to vote?
Black and White American women were doomed from the start, viciously competitive, inhuman maddening
Women’s movements can’t move in America until we have courageous honest discourse about the sadistic historic foundation of the relationship. We were systematically cultured to distrust and envy each other. We were never meant to be sisters.
from My Blog https://ift.tt/2UG6HNT
|
A Gay Gymnast’s Struggle To Come Out To His College Coach
Going insane was a luxury. It’s the going, that’s the treat. Going suggests travel, moving. There was no going. The madness was constant and still, sitting there, like a place on a map. The women in the beautifully brutal film 12 Years A Slave were mangled and maliciously intertwined.
It was where they lived, where they were from, born and bred into mundane inescapable crazy.
The twisted relationship dynamics between the two lead female characters Patsey and Mistress Epps in 12 Years A Slave are a horror. A painfully vivid illustration of the dank gnarly negotiations women had to make with each other to survive the demonic conditions of American slavery. The film fearlessly exposes a suppurating historic wound between Black and White women so wicked and utterly honest, it is both repulsive and liberating to witness.
We see the dark and sweet Patsey, doubly enslaved by virtue of her race and beauty, sway for a moment, let go like a girl, do a slow twirl. She is loose trying to lose herself, and she slips, for a moment, into a trance induced by the sound of her only friend Solomon’s sad singing violin. His is almost music. She is almost dancing. It is all almost a human moment.
All of a sudden she goes limp, drops, knocked back into the terror of her life, by a heavy crystal decanter hurled at her head by Mistress Epps.
All of a sudden, she is once again a battered pile of dirty black woman parts wrapped in rags down on the floor. Mistress Epps is hate, full, guided and preserved by it. Patsey, the object, the affliction. She is, in Mistress Epps molested mind, literally the mistress.
Her husband Edwin Epps is addicted to Patsey, a deadly habit he will not kick, not for his wife, not for her dignity nor her sanity. The Mistress publicly demands Edwin rid himself and her home of the disease that is Patsey. He not only refuses his wife, he comfortably humiliates her.
Claiming his desire for the puddle of nasty nigger wench at their feet. The Mistress is frozen, stunned powerless by her husbands white male supremacy while Patsey is dragged away into darkness.
Patsey and the Mistress Epps personify Black and White American women’s painful slave legacy. American slavery was an insidious economic institution devised to benefit a minority of white Christian men, predicated on systemically preventing others access or the ability to establish alliances. Society has discussed how slavery successfully branded Blacks as inferior and sub-human, yet have we ever fully faced the brain washing, torture and rape terrorism practices slavery inflicted on Black and White women?
Are white privileged women jealous because their husbands had sex and lusted after black women right in their faces?
Do they believe the enslaved black women, purposefully seduced their white men, did they think they wanted to be raped?
Are black women in the eyes of white women, the original whores, the quintessential sluts? A sickening set of propositions, but the institution of slavery was such a sick situation for women to be in.
An evil woman is easy to understand. Mistress Epps makes clear white women bound in slavery were far more complicated than pure evil. She is in a tumultuous rage.
A white woman’s rage: privileged with no position, positioned with no power, powerful with no promise of independence, fidelity or safety.
The white woman could not properly direct her rage at her husband, she could not rail against white male supremacy. She too was in hell and Black enslaved women where the only ones in the chambers bellow her. So she sent her rage down and with her hot hate burned what was left of the bitches.
And the black women scorched beyond human recognition were left in pieces scattered and buried somewhere beneath hell. The concept of hell, like slavery, was designed to control and terrorize for eternity. The relationship between the mistress and the slave woman was so poisoned from its inception it could never be healed.
Is this our original sin? Could this be at the root of why Black women were cut out of the American suffrage movement when it came time for voting rights for women? Why many white abolitionist women turned their backs on the violence against southern Blacks to secure their own right to vote?
Black and White American women were doomed from the start, viciously competitive, inhuman maddening
Women’s movements can’t move in America until we have courageous honest discourse about the sadistic historic foundation of the relationship. We were systematically cultured to distrust and envy each other. We were never meant to be sisters.
from My Blog https://ift.tt/3yJT92r
|
Woman Loves Costco so Much, She Made it Her Birthday Party Theme
Going insane was a luxury. It’s the going, that’s the treat. Going suggests travel, moving. There was no going. The madness was constant and still, sitting there, like a place on a map. The women in the beautifully brutal film 12 Years A Slave were mangled and maliciously intertwined.
It was where they lived, where they were from, born and bred into mundane inescapable crazy.
The twisted relationship dynamics between the two lead female characters Patsey and Mistress Epps in 12 Years A Slave are a horror. A painfully vivid illustration of the dank gnarly negotiations women had to make with each other to survive the demonic conditions of American slavery. The film fearlessly exposes a suppurating historic wound between Black and White women so wicked and utterly honest, it is both repulsive and liberating to witness.
We see the dark and sweet Patsey, doubly enslaved by virtue of her race and beauty, sway for a moment, let go like a girl, do a slow twirl. She is loose trying to lose herself, and she slips, for a moment, into a trance induced by the sound of her only friend Solomon’s sad singing violin. His is almost music. She is almost dancing. It is all almost a human moment.
All of a sudden she goes limp, drops, knocked back into the terror of her life, by a heavy crystal decanter hurled at her head by Mistress Epps.
All of a sudden, she is once again a battered pile of dirty black woman parts wrapped in rags down on the floor. Mistress Epps is hate, full, guided and preserved by it. Patsey, the object, the affliction. She is, in Mistress Epps molested mind, literally the mistress.
Her husband Edwin Epps is addicted to Patsey, a deadly habit he will not kick, not for his wife, not for her dignity nor her sanity. The Mistress publicly demands Edwin rid himself and her home of the disease that is Patsey. He not only refuses his wife, he comfortably humiliates her.
Claiming his desire for the puddle of nasty nigger wench at their feet. The Mistress is frozen, stunned powerless by her husbands white male supremacy while Patsey is dragged away into darkness.
Patsey and the Mistress Epps personify Black and White American women’s painful slave legacy. American slavery was an insidious economic institution devised to benefit a minority of white Christian men, predicated on systemically preventing others access or the ability to establish alliances. Society has discussed how slavery successfully branded Blacks as inferior and sub-human, yet have we ever fully faced the brain washing, torture and rape terrorism practices slavery inflicted on Black and White women?
Are white privileged women jealous because their husbands had sex and lusted after black women right in their faces?
Do they believe the enslaved black women, purposefully seduced their white men, did they think they wanted to be raped?
Are black women in the eyes of white women, the original whores, the quintessential sluts? A sickening set of propositions, but the institution of slavery was such a sick situation for women to be in.
An evil woman is easy to understand. Mistress Epps makes clear white women bound in slavery were far more complicated than pure evil. She is in a tumultuous rage.
A white woman’s rage: privileged with no position, positioned with no power, powerful with no promise of independence, fidelity or safety.
The white woman could not properly direct her rage at her husband, she could not rail against white male supremacy. She too was in hell and Black enslaved women where the only ones in the chambers bellow her. So she sent her rage down and with her hot hate burned what was left of the bitches.
And the black women scorched beyond human recognition were left in pieces scattered and buried somewhere beneath hell. The concept of hell, like slavery, was designed to control and terrorize for eternity. The relationship between the mistress and the slave woman was so poisoned from its inception it could never be healed.
Is this our original sin? Could this be at the root of why Black women were cut out of the American suffrage movement when it came time for voting rights for women? Why many white abolitionist women turned their backs on the violence against southern Blacks to secure their own right to vote?
Black and White American women were doomed from the start, viciously competitive, inhuman maddening
Women’s movements can’t move in America until we have courageous honest discourse about the sadistic historic foundation of the relationship. We were systematically cultured to distrust and envy each other. We were never meant to be sisters.
from My Blog https://ift.tt/3e6vykx
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Thursday, July 8, 2021
Hello world!
Welcome to WordPress. This is your first post. Edit or delete it, then start writing!
from My Blog https://ift.tt/3AJ7Apt
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Wednesday, July 7, 2021
Undetectable Cheats & Hacks?
Do Undetectable Cheats Exist?Is it possible to really find game hacks that can’t be detected and are 100% safe to use? How safe is it to cheat? ‘Undetectable’ Game HacksThe idea of multiplayer cheats that can’t be detected is an idea that many people have when looking for hacks for a game they’re interested in. […]
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Monday, July 5, 2021
Bow vs. Rifle Hunting
Hog Hunting Tips
What Are the Main Differences Between Bow and Rifle Hunting?
One of the most significant differences between bows and rifles is proximity. When using a bow, you have to get closer to your game. With rifles, though, you have to stay at a farther distance to get a good shot. This is because rifles allow you to be hundreds of yards away from your prey. In comparison, bows must be used within a 40-yard distance of your target.
There are other things to consider, as well. For example, in terms of versatility, bows can’t be used on all animals. However, since rifles give you distance, you can shoot a wide variety of animals.
Other Key Differences Between Bow vs. Rifle Hunting
In addition to distance and versatility, you also want to consider the cost of each weapon. On average, bows tend to be more expensive than rifles. You might end up spending upwards of a thousand dollars on rifle materials. Bows can be double that cost.
Bows are harder to use and require way more skill and practice than rifles. You have to learn how to aim and use your bow correctly to be an effective hunter. Rifles require less strength and agility, and the accuracy is much higher. If you want to stay silent and stealthy, then the bow is a better choice for you. It depends on your preferences.
Hunting in With Bows and Rifles
Hunting can be a great way to relax and unwind from your stress-filled life. However, whether you are using a bow or a rifle, you want to keep a few things in mind. First off, always remember to bring your phone. Not only is it helpful if you get lost in a forested area, but phones have tons of great apps and features that can help you with your hunt.
Finally, make sure that you have the correct hunting license with you. Bow and rifle seasons are often separate for the same animal due to the different hunting techniques used.
Before heading out on a hunt, ensure that you have gotten a good night’s sleep and have eaten a healthy meal. This way, you are prepared to use your bow or rifle accurately.
Gum Log Plantation
Are you ready to try out your hunting skills? Gum Log Plantation can plan and execute a great hunting experience for individuals and groups. Our team will share their best hog hunting tips to have a successful hunt. Call 229-318-9015 and set up your trip today.
The post Bow vs. Rifle Hunting first appeared on Gum Log Plantation.
|
Bow vs. Rifle Hunting
Hog Hunting Tips
What Are the Main Differences Between Bow and Rifle Hunting?
One of the most significant differences between bows and rifles is proximity. When using a bow, you have to get closer to your game. With rifles, though, you have to stay at a farther distance to get a good shot. This is because rifles allow you to be hundreds of yards away from your prey. In comparison, bows must be used within a 40-yard distance of your target.
There are other things to consider, as well. For example, in terms of versatility, bows can’t be used on all animals. However, since rifles give you distance, you can shoot a wide variety of animals.
Other Key Differences Between Bow vs. Rifle Hunting
In addition to distance and versatility, you also want to consider the cost of each weapon. On average, bows tend to be more expensive than rifles. You might end up spending upwards of a thousand dollars on rifle materials. Bows can be double that cost.
Bows are harder to use and require way more skill and practice than rifles. You have to learn how to aim and use your bow correctly to be an effective hunter. Rifles require less strength and agility, and the accuracy is much higher. If you want to stay silent and stealthy, then the bow is a better choice for you. It depends on your preferences.
Hunting in With Bows and Rifles
Hunting can be a great way to relax and unwind from your stress-filled life. However, whether you are using a bow or a rifle, you want to keep a few things in mind. First off, always remember to bring your phone. Not only is it helpful if you get lost in a forested area, but phones have tons of great apps and features that can help you with your hunt.
Finally, make sure that you have the correct hunting license with you. Bow and rifle seasons are often separate for the same animal due to the different hunting techniques used.
Before heading out on a hunt, ensure that you have gotten a good night’s sleep and have eaten a healthy meal. This way, you are prepared to use your bow or rifle accurately.
Gum Log Plantation
Are you ready to try out your hunting skills? Gum Log Plantation can plan and execute a great hunting experience for individuals and groups. Our team will share their best hog hunting tips to have a successful hunt. Call 229-318-9015 and set up your trip today.
The post Bow vs. Rifle Hunting first appeared on Gum Log Plantation.
|
Friday, July 2, 2021
Roblox Hacks
The Best Roblox Cheats & Hacks ()Is cheating really possible in Roblox? We cover how you can win every match you play and impress your friends with hacks. Today we’re going to talk about how you can use hacks for Roblox games on your PC. There are multiple different Roblox hacks for PC that you […]
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